Kahn & Selesnickclick on image for an enlargement, price, size and medium. Memory Theater
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Bat Rider, 2012 Sold |
From the Plane, 2011-1012 |
House Figure, 2012 Sold |
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Iceboat, 2011-2012 |
Memory Theatre 1 (detail), 2012 |
Memory Theatre 2 (detail), 2012 |
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Over Manhattan, 2011-2012 |
Tub, 2011-2012 |
Unnatural History, Indian, 2011-2012 |
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Unnatural History, Penguins, 2011-2012 |
Unnatural History, Walrus, 2011-2012 |
Truppe Fledermaus
Mars: Adrift on the Hourglass Sea
Mars: Adrift on the Hourglass Sea is Kahn and Selesnick’s first project to feature a female protagonist; a woman finds herself alone in a wasteland that appears to be Mars. It is uncertain how she arrived in this place, via spacecraft, through a fold in the spacetime continuum or perhaps the landscape is a mental projection. Either way, it is clear that she has escaped an unnamed catastrophe on Earth. In a series of hallucinatory episodes she simultaneously explores the planet and builds a mock-life for herself from a combination of hightech and stone-age materials. Mars is revealed to have ruined artifacts and monuments from a previous, or perhaps future, civilization. The remains of massive stone listening devices are littered about the landscape, leading us to wonder: is this a colony that has collapsed and lost touch with earth? How did its occupants become stranded? Or are these the nocturnal imaginings of a postapocalyptic survivor?
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Abandoned Oxygen Field, 2010 |
Adrift on the Hourglass Sea, 2010 |
Airmaker, 2010 |
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Approaching Pavonis Mons by Balloon , 2010 |
Bellona, 2010 |
Birth, 2010 |
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Cave 2, 2010 |
Cistern, 2010 |
Communication, 2010 |
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Concrete Ear 1, 2010 |
Concrete Ear 2, 2010 |
Concrete Ear 3, 2010 |
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Concrete Ear 5, 2010 |
Concrete Ear 6, 2010 |
Distant Balloon, 2010 |
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Earthrise, 2010 |
Elysium Planitia, 2010 |
Et in Arcadia Ego 1, 2010 |
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Et in Arcadia Ego 2, 2010 |
Floating Factory, 2010 Sold |
Flying Castle, 2010 Sold |
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Gemini Capsule, 2010 |
Herm, 2010 |
Journey to Erebus Montes, 2010 |
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Laocoon, 2010 |
Mother Squid, 2010 |
Oracle, 2010 |
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Sandboat, 2010 |
Squidnight, 2010 |
Stillborn, 2010 |
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Symbiosis, 2010 |
The Blue Scorpion, 2010 |
The Double, 2010 |
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Urbs Antiqua Fuit, 2010 |
Eisbergfreistadt
The creation of this principality was inspired by an actual incident in 1923 when a mammoth iceberg ran aground in the Baltic port of Lubeck, towering over the town and terrifying the populace. Many decided (not unreasonably) that the iceberg caps were melting and the apocalypse coming. This event inspired gloomy cafe songs and penny dreadfuls, even a deck of playing cards.
Many notegeld and inflationary currencies were issued for the Eisbergfreistadt. Manifestos were published, and posters put up declaring the state's new ideals, citizenship requirements, etc. Products started appearing: butter, lard, chocolate (of surprisingly high quality) etc, all stamped with the Eisbergfreistadt logo. Although the creation of the Eisbergfreistadt is an actual historical incident, it is not clear to what extent it actually existed.
The celecstial city depicted on the iceberg seems to owe as much to the spires of Freidrich, as to the halls of ValHalla - it is a place built by Rilkean angels, too perfect for human reality, that can only be intuited by the artist. The worldly goods of the Stadt are therefore in the context of a cruel joke ("you take art and I'll take spam"). Interestingly these apocalyptic fears proved prophetic - Lubeck was the first German city to be fire-bombed in World War II - and, despite being rebuilt, is in danger of flooding due to global warming.
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Image of Marzipan Iceberg, 2009 |
Ship of Fools, 2008 |
Bear Parade, 2008 |
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Sea Plane, 2008 |
Currency Birds, 2008 |
Card Game, 2008 |
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500 Billionen Mark , 2008 |
Eisbergfreistadt, Installation II |
City and Iceberg, 2008 |
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Costumed Musician, 2008 |
Eisbergfreistadt, Installation III |
assorted photos, 2008 |
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Bird Photo Album, 2008 |
Eisbergfreistadt Map, 2008 |
Flying Banknotes, 2008 |
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Harnessed Man, 2008 |
Ice Boats, 2008 |
Iceberg Photo Albun, 2008 |
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Lubeck, 2008 |
Nude Man with Animal, 2008 |
Man with Pole and Hanging Objects, 2008 |
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Marzipan Iceberg, 2008 |
Ship of Fools photo album, 2008 |
Single Iceboat, 2008 |
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Three Masked Musicians, 2008 |
Wenzel Hablik poster, 2008 |
Woman with Ice Bird, 2008 |
The Apollo Prophecies
The Apollo Prophecies Project has been in development and production since 2002, when it was started at Toni Morrison's Atelier Program at Princeton University. Working with 15 students, Kahn/Selesnick built three major sculptural and architectural installation pieces, The Mind Rocket, Lunar Explorer and the Moon Cabinet.
A revelatory text was created in collaboration with a brilliant physics graduate student, Erez Lieberman. This text was altered by Kahn/Selesnick so that American and Russian Astronauts involved in the 1960's-70's Aquarian lunar expeditions became Gods for the Edwardian expedition members who were waiting for them in their Mind Rocket. Initial props and costumes were drawn and created.
This series features a continuous ten inch by thirty-six foot long black and white panoramic photograph depicting astronauts from the 1960’s traveling to the moon and back. While on the lunar surface they discover a lost Edwardian expedition that may or may not be real. It was shot and assembled on sets or on location with miniature models and live actors.
Kahn & Selesnick explain, "We are using the narrative techniques of Italian fresco cycles of the early Renaissance such as Masaccio’s Brancacci Chapel cycle. The story is told in multiple episodes featuring the same characters, appearing numerous times, within a single long panel. The use of this quasi-religious format echoes the concept of astronauts as gods. In addition to the long panoramic photograph there is a mass installation of small drawings and photographs. These feature Edwardian photographs of moon rocks, schematic drawings and design notes, portraits of astronauts, beaked and “debeaked” i.e. Edwardian and Aquarian, ephemera, etc."
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Crash Landing, 2001 |
Journey Back to Earth, 2001 |
Journey to the Moon |
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Lift- Off, 2001 |
Lunar Encampment, 2001 |
Lunar Landing, 2001 |
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Lunar Procession, 2001 |
Lunar Wanderer |
The City of Salt
From The City of Salt, 2001
The city of salt now lies quietly on the flats; its formerly bustling alley ways are now destitute, its market places and squares.
It was a fine moonlit night, and the king felt ecstatic as they crossed the salt flats. How his city gleamed in the distance! But at a certain point during this journey, a creeping anxiety began to prey upon the king. Surely The dead city seemed to represent the crumbling of the mighty empire he had inherited and that had been put in his charge; within his swoon he found it hard to remember where its borders lay, whether it had prospered or foundered during his reign. It now seemed to the king that during his solitary night wanderings during the time of the plague he had become enraptured with the face of death
Looking about him, the king realized his companion was nowhere to be seen. More alarmingly, the capital, from which he had come, seemed to exactly resemble the dead city to which he was heading, so much so that Terrified that he might see the twin image of himself, the king attempted to close his eyes, only to find that they already were closed. Opening them, he again saw the dead city before him, now with a waking clarity, the only city that had ever existed - was it his past or future that had been stolen from him - the king wondered. Surely I died during the time of the plague, how vivid the deserted city looked to my dying eyes as I wandered it for the last time, I felt as a king amid the stinking silent alleyways, the beggar thought to himself
29 x 83.5 inches $7500
38 x 116 inches $9500
Scotlandfuturebog
From Scotlandfuturebog:
Every 30 million years, the sun's orbit around the core of the milky way causes the solar system to pass through the spiral arms of the galactic plane; within these arms, in contrast to the emptiness of deep space, lie the vast clouds of loose cosmic matter from which comets are born. Billions of these objects are captured by the sun's gravitational field during its oscillation through the spiral arms, ranging in size from the tiniest dust mote to objects the size of our own moon. In their inert state, between the outgassings that give the comet its distinctive tail, these can be some of the blackest objects in the solar system, reflecting as little as 4 percent of the sun's light. It was during one such period that the apocalypse took place. The collision happened almost without warning, the object having only been detected half an hour before impact. Astronomers at the obscure mountain observatory of ---- elected to say nothing. The comet crashed into the warm waters of the Indian Ocean, instantly sending half its volume into the atomsphere as water vapour, drowning those who did not succumb to earthquakes and tsunamis. Most of those who did survive, and they were few, were soon disheartened and died out, much in the way indigenous societies are devastated by the swift destruction of ways of life they have known for millennia. In any case, dense fogs rendered agriculture and hunting almost impossible. The exception were the bog dwellers of remote northern Europe. A hardy people, used to sodden atmospheric conditions and marginal existence, they hardly noticed the apocalypse.
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Brotmorgendämmerung, 1999 |
Gefangentramtier, 1999 |
Hinterbachen ( Hindquarters ), 2000 |
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Stürmbockeber, 1999 |
Sumpfinselwurmloch ( Marshislandwormhole ), 2000 |
Sumpfweissager ( Bogseer ), 2000 |
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Wolletrager ( Woolcarriers ), 2000 |
Zeltritus ( Tentrites ), 2000 |
The Circular River : The Siberian Expedition 1944 / 46
The
Memory Theater: Works on Paper
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Der Fled Mans, 2011 |
Doppel Puppen, 2011 Sold |
Little Man, 2011 Sold |
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Puppet and Man, 2011 Sold |
The Wagon, 2011 |
Loose Prints at the Gallery
Other Works 
Artist Bio
Tiring of working on painting locked up in a studio, they searched for a technique to better bring the narratives to life and returned to staged photography. Experimenting on Selworthy Beacon in
In 1997 The Pavilion of the Greenman was first shown at the
In 1998-99 The Circular River, the R.E.C. Siberian Expedition of 1945-46 continued the story of the R.E.C to its post-war conclusion. A seven-foot wide leather bound book held the 60 long sepia panoramas and 100 pages of text. Together they told the parallel stories of Peter Hesselbach, a lost German glider pilot gone native and the R.E.C.’s search for him among the Buryat Shamans of Northeastern Siberia. Objects purportedly loaned by the Novosibirsk Museum of Ethnography accompanied the show. The photographs were laser-color prints on cotton in an edition of five, but had the appearance of vintage folded panoramas, they were painstakingly collaged together by hand, stained and inscribed with the notes from the expedition.
In 2000 Kahn and Selesnick were Artists in Residence, at the Addison Gallery of American Art,
In early 2001, a 2-month winter residency at Djerrasi Artist Program in
An feature article on the artist’s collaboration at Phillips Andover in the New York Times lead to a 2002 semester long residency at Toni Morrison’s Atelier Program at
Nicholas Kahn and Richard Selesnick do not employ armies of underpaid assistants, they instead improvise or build everything themselves. They also rely on an army of kind friends and relatives for their photographic models as well as for very frequent gifts of peculiar objects that often infiltrate their projects. They are currently attempting to find a lost iceberg city last seen off of
