622 Warren Street
Hudson, NY. 12534

Tel.  518.828.1915 Fax. 518.828.3341

Hours:
Open Daily
11 am to 5 pm
Sunday
noon - 5 pm



William Bond Walker

click on image for an enlargement, price, size and medium.

Installations

Abstract

Representational

Artist Statement

At a time when many artists work in video or installations or environments, I prefer to paint-- at the easel or on a tabletop, or in books.  In the past I have worked in formats as large as 48 x 60 but in recent years have preferred to work smaller:  20 x 30, or 18 x 24.  Working concurrently with easel paintings I keep several sketchbooks going.  These “miniatures” are occasionally studies for larger works, but usually are done as ends in themselves. Rarely a leaf may be cut out and framed.

 My choice of “subject” is usually abstraction, developed intuitively.  Images sometimes emerge, and when appropriate are kept in the development of the painting, and finally may dominate the painting.  On other occasions I set out to produce representational paintings, especially landscapes, or less frequently, still lifes or figure paintings.   These typically incorporate some degree of abstraction.
 
I am interested in the power of color and the interaction of color and “design” as components in the evolution of a painting, whether abstract or representational.  
 
In all formats the medium of choice is usually acrylic on paper or board, occasionally combined with ink or crayon.  Less frequently I work in casein on paper or board, or rarely, acrylic on canvas.  Acrylic compels (or allows) one to work rapidly, but offers flexibility in application of the paint:  impasto or thin, opaque or transparent glazes.  Blotting the wet surface with textured paper or distressing the wet top layer of paint allows the color underneath to show through, enlivening the surface of the work.   The medium’s speed in drying allows over painting and reworking within a short time.
My masters in painting range from Cezanne to Matisse to Dienbenkorn; I am further inspired by the work of Bonnard, Beckmann, Marin, and Marini.
 
Every painting is a new beginning.
 
September 2007


Artist Bio

William Bond Walker

          

Education:

1948-49 BisttramSchool of Fine Arts, TaosNM and Los AngelesCA

1949-53 University of Iowa, Iowa  City   BA in Art/Art History 1953

1957 Pratt Graphic Art Center,  NY NY Summer workshop

1958 Rutgers University, New Brunswick NJ    MA in  Library Science

 
Exhibitions - Solo (Selected)
2005 ParkRowArtGallery, ChathamNY

2003 University of Rochester, Gallery of the Art & Music Library, RochesterNY

2002 BecketArtsCenter, Becket MA

2000    ParkRowArtGallery, ChathamNY

2000 WisemanArtGallery, Old ChathamNY

1999 Hudson Arts Walk,  Friends Meeting House, HudsonNY

1998 Hall Space Gallery, ChathamNY

1998 Hudson Opera House,  HudsonNY

1997 ParkRowArtGalleryChathamNY

1996-97  Truffles & Such, Pittsfield NY  Retrospective exhibition

Exhibition - Two-Person

2001 Berkshire Artisans, PittsfieldMA, with Franco Pellegrino

Exhibitions - Group   (Selected)

2004, 2002, 2001  Carrie Haddad Gallery, Hudson NY   Works on paper

2004 Columbia County Council on the Arts, HudsonNY  Ten, a small works show

2003 Hudson Arts Walk, HudsonNY   Show at Old Pocket Book Factory

2001 ShakerMountain PerformingArts Festival, DarrowSchool, New LebanonNY

2000 Carrie Haddad Gallery, HudsonNY  Painted Cities

2000 Train Station Gallery, West Stockbridge MA  included 12 paintings by Walker

2000 Spencertown Academy  Spencertown  NY   Juried show

1999 Atelier 5, CanaanNY Prominence of  Light

1998 Atelier 5, CanaanNY    Six Canaan artists

1998, 1997   SpencertownAcademy, Spencertown NY    Annual juried shows

1997 ParkRowArtGallery, Chatham NY Columbia County Council on the Arts members

1997 BerkshireMuseum, PittsfieldMA  juried show, Berkshire Art Association  members

1997 Carrie Haddad Gallery, HudsonNY    Landscapes by eight artists

 

Collections:  Paintings in 48 private collections in 13 states, California to Massachusetts

In two corporate collections:  ABC-TV, NY NY; Heller Ehrman...WashingtonDC

 
Employment as a Library Director:

Between 1959 and 1994 held position of library director at the following art museums:  BrooklynMuseum 1959-1964; National Collection of Fine Arts and National Portrait Gallery, Smithsonian Institution 1964-1980; Metropolitan Museum of Art 1980-1994.  Retired 1994

 
Honors:

Phi Beta Kappa, Iowa 1953;  Who’s Who in America, 1980-present; Who’s Who in American Art, 1978-present; President of Art Libraries Society of North America (ARLIS-NA) 1975;  Distinguished Service Award of ARLIS/NA, 1991.


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Carrie Haddad Gallery   tel. 518.828.1915   fax. 518.828.3341